Cody, Nebraska 2008. ©Daniel Gauss/Shot On Site |
Cody, Nebraska 2008 "Fall Edit" ©Daniel Gauss/Shot On Site |
Cody Nebraska 2008 (Black and White Edit) ©Daniel Gauss/Shot On Site |
Since 2009, the retirement home of Shot On Site Photography... the source of the finest sighthound performance images in the world. As of August 1, 2022, the blog will become much more photo-centric. Not only will I post images from the homestead in the foothills of the Little Florida Mountains, and surrounding environs, but also tips about shooting, editing, archiving, software, hardware and more. The political rants will become few and far between (but not eliminated! It is 2022 after all!)
Cody, Nebraska 2008. ©Daniel Gauss/Shot On Site |
Cody, Nebraska 2008 "Fall Edit" ©Daniel Gauss/Shot On Site |
Cody Nebraska 2008 (Black and White Edit) ©Daniel Gauss/Shot On Site |
Also, it's good to be an "Arrogant Ass from Ann Arbor" once again.
Race Day Morning.2008 NOTRA Nationals, Boswell OK ©Daniel Gauss/Shot On Site |
Original Fujifilm X-E3 Raw File: f8, 1/800 second, ISO 400. Fujifilm XF 16-80mm f4.0 R OIS WR zoom at 18mm. |
Now, crepuscular rays are not an uncommon site here in The Land of Enchentment, but this was notably exceptional in that the rays were directed out in all directions, owing to the broken cloud formations, and the elevation of the setting sun.
I grabbed the X-E3 and stationed myself on the front porch for the next half hour or so, snapping picture after picture after picture.
I was hoping to get into the editing later that evening, but life - as it does- got in the way, and I didn't get to it until Monday. The screen grab above is the Fuji RAF raw file I started with when I opened up Luminar Neo and sat, staring at the screen, wondering how I wanted to proceed.
I'd watched a YouTube video a couple days before, by a Luminar ambassador, Jim Nix, edit a very similar image, using some of the seldom used tools in Luminar Neo. That's the direction I decided to go.
While Luminar Neo has a very cool "Sunrays" tool, it was obvious it wouldn't be necessary with this image. But I wanted to really accentuate them, along with the golden hour colors. Recently, I would have run this through the HDR Merge tool, just to see what it would look like, but I decided to forego that step. The tools I did use included the almost obligatory DevelopRAW, NoiselessAI, Structure, Color, Super Contrast, among the usual suspects. The seldom used tools included Toning, and Color Harmony.
The beauty of any of the Luminar platforms is that they are completely non destructive. You can experiment with any number of the tools, jack the sliders up to 100, play with colors, vignettes, details, etc. and in the end if you're not happy you can revert to your original raw file or jpeg and it's completely unchanged, and ready for you to start over. I've been there.
Anyway, without further ado, you're probaby interested in seeing how it ended up after using 12 different tools (some more than once, which is another cool feature of Luminar Neo). Here's the shot:
"From the Porch", ©Daniel Gauss/Shot On Site |
Just a quick addendum to yesterday's post on the new Luminar Neo pricing programs. You can take an additional $10 off, using my personal discount code: DanGauss if you purchase a 1 year subscription of either Pro or new Explore! You're welcome.
BONUS POST:
And here's a teaser of an upcoming extension-
Forest Altar, ©Daniel Gauss/Shot On Site |
I swear, I'll have other product mentions on this blog eventually, but first I have big Luminar Neo news! The folks at Skylum have announced some new levels of pricing, and introduced the Explore Plan. It's a slimmed down version of Luminar Neo at a very attractive price. There is also limited time reduced pricing on the other Luminar plans. If you've been "Luminar-curious", this is your opportunity. Find out all about it at this link.
The above image took about 10 minutes time in Luminar Neo, using just a couple of tools. Below you can see the before/after, from the original Fujifilm RAF (raw) file, to finished image. Impressive.
©Daniel Gauss/Shot On Site |
©Daniel Gauss/Shot On Site |
©Daniel Gauss/Shot On Site |