A Tale Of Two Images

The False Slot - ©Daniel Gauss/Shot On Site

"False Slot"? This is nowhere as big as it looks. A kind of optical illusion, if you will. It's actually a massive boulder immediately north of the Pony Hills Petroglyph site in Luna County, New Mexico. Sometime in the distant geologic past it had broken into two parts. In reality, what looks like a one hundred foot long slot is closer to 20 or 30 feet, and about 12 to 15 feet high, and let's just say way too narrow for a slightly plus-sized septuagenarion like myselft to traverse. So,  kind of an entertaining illusion, right?

I wasn't sure the image above was going to come together. I had taken the two images below, with slightly different exposures, trying to get something that was balanced. I wasn't crazy about either, but I decided I would see what I could do with it back home at the computer. 

 

By now, you know that my editor of choice is Luminar Neo, and I was just itching to get this into the HDR Merge extension. There was a problem, though. These two images were just hand held. I did have my tripod with me, but pure laziness on my part kept me from setting it up.  As a result, when I pulled the two images into the HDR Merge extension, I had to opportunity to try out a function of the tool I hadn't needed in previous images:  Auto alignment.  Turns out it works pretty damn well. As you can see from the third image below which is a composite of the two images at 50% opacity, they weren't lined up very closely at all. Compare it to the finished image at the top of the page, and it put them together nearly perfectly. I say "nearly" because while the viewer will not see any fine details that didn't quite mesh, I can. I can always see the faults.  It's my curse. 😐

  

Have a look at the top of the right sidebar, and you will see an ad for the Mothers Day Sale, which has just a few more hours to run... till 7:00 AM EDT, May 16 to be precise. If you look and the ad's no longer there, you missed out again. 50% off. Or 60% off if you also use the code, PHOTODAN at check out. Later, all.

 

It Was the Mother of All Crepuscular Ray Sunsets

Original Fujifilm X-E3 Raw File: f8, 1/800 second, ISO 400. Fujifilm XF 16-80mm f4.0 R OIS WR zoom at 18mm.

Last Saturday, I took a break from the recliner in front of whatever college football game I happened to be watching at the time to grab a snack, or refill my water bottle, whatever. Returning to the living room, I glanced out of the open front door and saw this magnificent photo opportunity.

Now, crepuscular rays are not an uncommon site here in The Land of Enchentment, but this was notably exceptional in that the rays were directed out in all directions, owing to the broken cloud formations, and the elevation of the setting sun.

I grabbed the X-E3 and stationed myself on the front porch for the next half hour or so, snapping picture after picture after picture.

I was hoping to get into the editing later that evening, but life - as it does- got in the way, and I didn't get to it until Monday. The screen grab above is the Fuji RAF raw file I started with when I opened up Luminar Neo and sat, staring at the screen, wondering how I wanted to proceed.

I'd watched a YouTube video a couple days before, by a Luminar ambassador, Jim Nix, edit a very similar image, using some of the seldom used tools in Luminar Neo. That's the direction I decided to go.

While Luminar Neo has a very cool "Sunrays" tool, it was obvious it wouldn't be necessary with this image. But I wanted to really accentuate them, along with the golden hour colors. Recently, I would have run this through the HDR Merge tool, just to see what it would look like, but I decided to forego that step. The tools I did use included the almost obligatory DevelopRAW, NoiselessAI, Structure, Color, Super Contrast, among the usual suspects. The seldom used tools included Toning, and Color Harmony.

The beauty of any of the Luminar platforms is that they are completely non destructive. You can experiment with any number of the tools, jack the sliders up to 100, play with colors, vignettes, details, etc. and in the end if you're not happy you can revert to your original raw file or jpeg and it's completely unchanged, and ready for you to start over. I've been there.

Anyway, without further ado, you're probaby interested in seeing how it ended up after using 12 different tools (some more than once, which is another cool feature of Luminar Neo). Here's the shot: 

"From the Porch", ©Daniel Gauss/Shot On Site

Remember, if you're interested in any of the Luminar products, use the links above, and if you decide to buy, save $10 with my coupon code: DANGAUSS

Till next time.

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